Which way documentary

See more at IMDbPro. Trailer Which Way Home. Photos 2. Add image. More like this. Storyline Edit. These are stories of hope and courage, disappointment and sorrow. They are the children you never hear about; the invisible ones. Not Rated. Did you know Edit. User reviews 10 Review. Top review. Facebook-f Twitter Instagram Link Envelope.

By Ben Ward. News title Lorem Ipsum. Lorem ipsum dolor sit amet, consectetuer adipiscing elit November 9, See All. She is able to comprehend why her uncle was taken away from her but feels left behind because she wanted to be the martyr in the family. The second figure to abandon her is God.

She had been fo She was upset but she doesn't want to leave him because she have a child to take care of. The amount of respect that she have for the family is enormous. Overall, Rose is preventing the future from come back to her family so she told her son to go to his dad funeral.

From the disappointment in the sport industry to a broken family. Instead of being free like he thought he would be, Tom is trapped by the memories of his sister.

Tom is a character many people in this generation can relate to. Although the play was written many years ago Tom is just like any other millennial from this day and age. So running away does not help Dill and he needs a new way to deal with his troubles. Dill has a difficult life and he tries to do physical things to make his life better, like running away, but he soon finds out that does not work.

He wants to get away from his mother and sister and live his own life, but he is trapped by his guilt and not wanting to leave his sister.

I think Tom is much braver than me, but that might be because he is a male. It is more acceptable for a male to leave home and start his own life whereas with a female they tend to not leave so abruptly.

We would talk about what we wanted to find out, what questions we wanted to ask. We would work it out together, either in advance or on the spot. So, in essence, they functioned as field producers as well. There were times when Lorenzo or Eric would tell people, pointing to me, "She's the boss.

Things flowed a lot easier when I acted like the assistant, holding things or carrying equipment [laughing]. The importance of working with a crew from the region cannot be overstated. As important as it was for me to direct, shoot, etc. It made most people a lot more comfortable, and relationships were made a lot quicker. At one point in the filming, we had lost track of the kids. We decided to drive to Mexico City to see if they were where all the other migrants tended to congregate.

We were walking down the tracks in Lecheria Station and we see these little dots in the distance; one was yellow, so I thought it could be Kevin's [one of the main protagonists] shirt, but I wasn't sure. They recognized us first and started running towards us, yelling our names.

We all came running towards each other straight into one another's arms like lovers on a beach! There was a lot of affection and a deep connection. We were so happy to see them, since we were really concerned when we couldn't find them and didn't know what had happened to them.

They told us the story of how they were held against their wills and robbed. IDA : There is an inordinate amount of generosity and open-heartedness on the part of all of your subjects, but I want to talk about one scene in particular--the one in the house when they deliver the boy's remains in a coffin to the home of his parents so they can give him a proper burial.

It is a devastating scene. They allowed you to record all of it. It's one of the longest scenes in the film--time stands still and it's very quiet after all the chaos and excitement of the train journeys and the beautiful traveling shots with the vistas moving swiftly by.

RC: You know, I don't think that anyone ever asks them how they feel about anything. In addition, they had mentioned that they had been kind of threatened by certain government people not to talk to the press, for whatever reason; it doesn't really matter. They've been through hell, given the run-around, treated with disrespect. I think those people are sick of that kind of thing. They wanted to talk, and even though it was very painful, they wanted us to be there. I think it's the most important scene in the film because it shows, very bluntly, that children are dying.

Yes, you do get caught up in the journey, the adventure, the train rides.