Why does steve aoki throws cake
This was to help promote the music and his label. The writing was included on the cake so the audience could understand. The audience and long-time fans knew exactly what the cake was from. Eventually, Steve retired the song from his set. For about six months he dropped caking all together. He decided to put caking into all of his shows. So the song left the set, but the act of caking stayed. We know that when the Autoerotique song retired fans were begging to be caked. So, the audience is to thank for caking becoming as popular as it is today.
Fans come to shows with signs asking to be caked. Some even stand at the stage and ask for a Steve Aoki cake throw. There is a lot of planning that goes into caking.
Aoki has every cake locally sourced. Before a show, he will contact local bakers to make the cake. Check these out. Skip to content Experience. Wondering who on earth Steve Aoki is? Why does Steve Aoki throw cake? And how to get caked by Steve Aoki? Steve Aoki — Cake Me Song. Enjoy the show and good luck getting caked! Leave a Reply Cancel reply. Loading Comments His schedule that day would include an all-day Dim Mak blowout in the same hotel we are currently in, learning to wake surf with the Red Bull team, and headlining an appropriately-titled " Rage the Night Away " party at Story nightclub with R3hab, Borgore, and Felix Cartal.
But Aoki is not just a normal dude—or a normal DJ, at that. He's one of the few superstars who's taken the idea of crowd interaction at EDM parties to an entirely new level. While many moons ago, DJs were relegated to dark corners of anonymity, Aoki encapsultes the idea of "DJ as rockstar. For better or worse, his parties have becoming synonymous with rager culture. Aoki is the guy who screams " 1, 2, 3, 4! When he returned from taking a leak, Aoki sat down to discuss why DJs don't have to be entertainers, how his punk roots influenced his stage persona, and why caking people is just a reenactment of his childhood.
Plus, he shared a pretty dope story about Johnny Depp partying in Mexico. THUMP: You've built up a reputation for doing these really theatrical stunts on stage, like caking people and riding rafts through the crowd. When was the first time you caked someone? Steve Aoki: The idea was from a music video by this guy on my label called Autoerotique. He did a video for his song, "Turn Up the Volume," where these cakes would explode in slow motion in peoples' face after they blew out the candles.
It was really cinematic—beautifully shot. The song went viral because of the video, so I came up with the idea of promoting the song by caking someone. That was the concept—the actual cake I had in the beginning would say "Autoerotique, Turn Up the Volume" on it. For the first six months when I added that to my rider, someone would have to write that on it. By the time I retired the song, caking people had just became part of the show.
Well, I've done the chocolate—we had to take that out because it doesn't look good. And, people like having cake on them when it's colorful or white… but not, like, black. It looks like dirt. Or shit. How about the other performance aspects that you've incorporated into your shows—champagne spraying, or riding a raft through the crowd? Coachella was the first time I actually did production for a show. I wanted to do something interesting, so I had these boxes built that would light up my letters—A.
I had a stylist design these neon crazy capes. I had people standing on the boxes dancing. I had a full-on Jeremy Scott getup—this crazy jacket with reflectors all over so it just looked bizarre. Then I brought out Super Soakers and I brought out four rafts. That was the first time I introduced the rafts to my show. Later on, Rolling Stone did a full-page photo spread like, "This is Coachella.
It's an interesting way to have fun with the fans, and it's safer for me because previous to that I was stage-diving—not the safest way to jump into a crowd. But if you have a raft you have some sort of soft suspension and cushion. Have you always been good at hamming it up for your audience?
Or did you make that transition as you performed for bigger crowds? There was definitely a transition. I still consider Suroosh [Alvi] one of my gurus in a way, because he helped me and my label Dim Mak out. Back in '03 to '06, I was playing parties where it was just a bunch of kids that weren't there to see the DJ.
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